Rangeen Review: Bold Setup Fails to Deliver the Expected Drama
Rangeen review begins with a punchy, brave storyline that promises to challenge the norms of Indian web content. The show opens with Adarsh Johri, played by Viineet Kumar Siingh, a middle-aged newspaper editor in a small town, whose peaceful life takes a bizarre turn when he discovers his wife cheating on him with a gigolo. What follows is his decision to turn into a gigolo himself a revenge arc that screams fresh and provocative. However, despite the originality, the show ends up meandering and fails to hit the emotional or dramatic notes it aims for.
Rangeen Review: A Visually Lush Yet Confused Narrative
The Rangeen review gets interesting as it dives into Adarsh’s transformation. Initially, the premise brings curiosity and entertainment a wronged husband seeking closure through an unusual route. Adarsh infiltrates the gigolo business under the mentorship of Sunny (played by Taaruk Raina) and Sitara (Sheeba Chaddha), who runs the operation from behind her boutique.
The tone, unfortunately, is inconsistent. The narrative shifts from dark comedy to emotional drama to commentary on small-town judgement, without ever settling on one. These constant tonal shifts dilute the impact of serious themes like masculinity, betrayal, and rediscovery. A story that could have been both humorous and introspective ends up feeling confused and surface-level.
Mixed Performances and Underused Talent
Viineet Kumar Siingh is a capable actor, but here, he feels restricted by a poorly written character arc. His portrayal of Adarsh, a man broken by betrayal, trying to reclaim his self-worth, never fully resonates. His emotional moments lack subtlety, and his shift from a frustrated husband to a self-styled gigolo never seems organic.
Rajshri Deshpande as Naina brings sincerity but is severely underutilized. Her character’s motivations are barely explored, making her feel more like a plot device than a person. She has a few impactful moments, especially when she confronts Adarsh, but they are too fleeting to make a difference.
Taaruk Raina as Sunny adds some much-needed energy. His portrayal of a charming and confident gigolo stands out in an otherwise uneven cast. Meanwhile, Sheeba Chaddha, in her role as Sitara, manages to ground her character with quiet authority and provides a sense of realism that the lead often lacks.
Technical Execution and Pacing Issues
The series struggles with pacing from the fourth episode onward. At nine episodes, each over 40 minutes, Rangeen feels stretched. Unnecessary subplots and repeated emotional confrontations drag the momentum. The editing doesn’t help; tighter cuts could have improved engagement significantly.
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Visually, the show opts for a dim, often dull tone that matches its confused emotional space but isn’t always easy on the eyes. Background music, while intended to enhance scenes, often becomes distracting and overwhelming, sometimes even drowning out important dialogues.
A Story of Missed Potential
What began as a daring dive into taboo themes and personal reinvention ends up becoming a victim of its own ambition. The central idea of a man reclaiming power in an unconventional way should have opened the door to powerful storytelling, layered with humour, sorrow, and social commentary. Instead, the script doesn’t go deep enough.
There are glimpses of brilliance an emotional breakdown in a hotel, a stark confrontation between husband and wife but these are fleeting. The rest is weighed down by half-baked storylines and characters that never really develop. Also Read: Mamata Banerjee Urges Industry to Promote Bengali in Films and TV Serials
Final Verdict on Rangeen
In conclusion, Rangeen is a series that had the courage to bring something new to Indian screens but couldn’t carry that courage all the way through. The show lacks consistency, clarity, and depth, despite a strong concept and decent performances from the supporting cast. Rangeen review highlights one big truth: bold ideas alone aren’t enough without a compelling execution. This series may find an audience curious about its theme, but those seeking layered storytelling and emotional impact may walk away disappointed.
